Depth without the noise

PRODUCER / MIXER

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Making Sonic Dreams Come True

When an artist pours their heart into a piece of music, it deserves to be handled with care.

My role is to listen closely, understand what matters, and shape the sound so nothing meaningful gets lost for your listeners.

From the first microphone capture to the final Atmos mix, I help artists turn complex sonic visions into experiences that feel natural, clear and undeniably theirs.

 

With over 35 years of playing, composing, recording and producing music, I bring both experience and a sharp objective perspective to every project.

I’ve been involved in projects from early rehearsals and home studio sketches all the way to final masters. That continuity allows me to protect the emotional core of a piece throughout the entire process.

If you’d like to know more about my background, you can read more here.

 

Pre Production

We begin by listening. To demos, to intentions, to what the music wants to become. Together we explore the essence of your sound and how you want it to be experienced. We prepare, refine and create a clear direction before recording begins.

Production

The goal is to capture your most honest performance. We build the musical layers - acoustic, electronic or both - making sure every element serves the emotional core. I can assist with composing, sound design and arrangements when needed, always in service of your vision.

Mix (Stereo & Atmos)

Mixing is about clarity, making sure the listener doesn’t have to search for what’s beautiful. Nothing essential gets lost. Whether in stereo or Atmos, the aim is the same: complexity that feels natural and effortless.

Mix-as-a-service available for externally produced projects.

 

If you'd like me to be involved
in any or all phases of your music production process,
let’s talk about your project.

 

 

mix-timeline

RedHouse is a 65 m² Dolby Atmos calibrated mix and recording studio based in Amsterdam.

An intimate space designed for focus and flow, where artists can feel safe to explore and express openly. Everyone works together in the same room, connected to the same intention. The vibe is relaxed, the acoustics are exceptional - custom designed by Kees Neertvoort.

I focus on capturing honest, expressive performances from artists who care deeply about their sound.

The studio features a beautiful Hoffmann T122 piano, a wide range of instruments and synths, and plenty of sonic toys to spark new ideas. Whether we’re jamming, composing, recording, sound designing, or mixing - it’s all possible here.

I built this studio with a simple idea: every recording artist deserves a room that sounds great, feels like home, and comes with someone who knows how to work the knobs.

 

 

mix-timeline

 

RedHouse was designed from the ground up for creating music in Dolby Atmos, from recording and production to full 3D mixing. It’s not just a mix room, but a space where electronic and/or acoustic music can unfold naturally on a much larger canvas.

Dolby Atmos gives music space.

Not as a gimmick, but as a way to let depth feel natural. It allows listeners to step inside the music instead of standing in front of it. Immersion, when done with care, isn’t about spectacle. It’s about clarity.

Curious how it compares to stereo? I answered the most common questions here.

 

 

If you’d like to work together
from early sketches to final mix
tell me what you’re working on.

 

 Follow me on Instagram
 

Atmos Listening Session

Join me Every First Monday of the Month,
🕚 11:00 - 13:00

 

Drop by, listen, ask questions, and a free coffee.

For more information click here.

 

“Phaedrus felt that at the moment of pure Quality perception, or not even perception, at the moment of pure Quality there is no subject and there is no object. There is only a sense of Quality that produces a later awareness of subjects and objects. At the moment of pure Quality, subject and object are identical.”

 

Robert M. Pirsig, from the book "Zen and the Art of Motorcycle Maintenance".

 

The moment when subject and object disappear,
when you just feel and become part of the music,
when artist and listener become one, that’s the goal.

 

 

Interview

 

The gentle people of Ambitus came over and we talked about my work. It's rare I get a chance like this, and my production process is so much part of who I am.
Happy to share with you:

Ambitus: Online Interview

 

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